José Clemente Orozco (Mexican, 1883—1949)
THE TOWN AND THE LEADERS (known as “El Pueblo y sus Falsos Lideres”)
Governor’s Palace, Guadalajara.; fresco
Courtesy Sr. Jorge Hernandez Campos
Instituo Nacional de Bellas Artes, Mexico, D. F. 

Francisco de Goya (Spanish, 1746—1828)
THE CLVER “STUDENT OF FALCES” INFURIATES THE BULL BY MOVING ABOUT WRAPPED IN HIS CLOAK
Plate 14, Tauromaquia; 1st ed., 1816
7 1/8” × 11 7/8”; etching and aquatint
Achenbach Foundation for Graphic Arts
San Francisco

Zhu Rui  (Chinese, 12th century)
LANDSCAPE: BULLOCK CARTS ON MOUNTAIN
Sung Dynasty; 41 1/2” × 20 1/4”
silk kakemono, slight color and ink
Courtesy, Museum of Fine Arts, Boston
James Fund 

Hans Holbein the Younger (German, 1497–1543)
PORTRAIT OF HENRY VIII; 1540
oil on panel
National Museum of Rome

Fujiwara no Takanobu (Japanese, 1142–1205)
MINAMOTO NO YORITOMO, Founder of the military government of Kamakura
Kamakura Period, 12th century
colors on silk
Courtesy Jingo-ji, Kyoto through the Japanese National
Commission for UNESCO 

Pablo Picasso (Spanish, 1881–1973)
GUERNICA; 1937; 11’ 6” × 25’ 8”; oil on canvas
On extended loan to the Museum of Modern Art, N.Y.
from the artist 

Artist unknown, Japanese folk art from Otsu
HUNTING FALCON, one of a set of 31 Otsu-e
Edo period, 17th cent.; 13” × 9 1/2”
color on paper; painting
Seattle Art Museum
Eugene Fuller Memorial Collection

Georges Rouault (French, 1871–1958)
THE OLD WALL (THE FUNERAL), 1930
11 1/2” × 19 3/4”; gouache, pastel, on paper
The Metropolitan Museum of Art
Maria DeWitt Jesup Fund, 1951
from the Museum of Modern Art, Anonymous Gift 

Henri Matisse (French, 1869–1954)
LARGE RECLINING NUDE (or PINK NUDE), 1935; 26 × 36 1/2”
oil on canvas
The Baltimore Museum of Art 

Raphael (Italian, 1483–1520
THE ALBA MADONNA; ca. 1509–1510; diam. 37 3/4”
canvas transferred from wood
National Art Gallery of Art, Washington, D.C.
Andrew Mellon Collection 

Ma Yuan (Chinese, Ming Dynasty)
SCHOLARLY RECLUSION IN A WATERSIDE GARDEN
15th century; 74 3/4” × 48 3/8”
silk panel, ink and color
Courtesy of the Smithsonian Institution
Freer Gallery of Art; Washington, D. C.

Paul Cézanne (French, 1839–1906)
RAILWAY LINE NEAR L’ESTAQUE, 1882–85
21 1/4” × 21 7/8”; oil on canvas
The Art Museum of Ateneum, Helskin
Coll. Antell 

Paul Cézanne (French, 1839–1906)
STILL LIFE, 1906; 18 1/2” × 24 3/8”; watercolor
Cosmopress, Geneva 

William Hogarth (British, 1697–1764)
THE ANALYSIS OF BEAUTY, Plate 1, 1753
15 3/8 × 19 7/8”; engraving
National Gallery of Art, Washington, D. C.
Rosenwald Collection 

de Limbourg, Pol Jean, and Herman
Manuscript page from THE BELLES HEURES OF JEAN, DUKE OF BERRY
ca. 1410–1413; 9 3/8” × 6 5/8”
The Metropolitan Museum of Art, New York
The Cloisters Collection